The Song Machine

Inside the Hit Factory

De: John Seabrook

Narrado por: Dion Graham

Over the last two decades, a new type of song has emerged. Today's hits bristle with "hooks", musical burrs designed to snag your ear every seven seconds. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are industrial-strength products made for malls, casinos, the gym, and the Super Bowl halftime show. The tracks are so catchy and so potent that you can't not listen to them.

Traveling from New York to Los Angeles, Stockholm to Korea, John Seabrook visits specialized teams composing songs in digital labs with novel techniques, and he traces the growth of these contagious hits from their origins in early '90s Sweden to their ubiquity on today's charts. Featuring the stories of artists like Katy Perry, Britney Spears, and Rihanna as well as expert songsmiths like Max Martin, Ester Dean, and Dr. Luke, The Song Machine will change the way you listen to music.

©2015 John Seabrook. Recorded by arrangement with W.W. Norton & Company, Inc. (P)2015 HighBridge, a division of Recorded Books

Reseñas de la Crítica

"This is a fascinating tale about an amazing phenomenon: how hits get made. John Seabrook combines a love of music and an appreciation for personalities to take us on a starry journey from Stockholm and London to New York and Orlando showing how creativity gets discovered, polished, and packaged. His book is a triumph of great writing and reporting, and the lessons reverberate far beyond the world of music." (Walter Isaacson, author of The Innovators and Steve Jobs)

"Beneath the surface of today's pop music lies an industrial process as rigorous and bizarre as the one perfected by McDonald's. Seabrook shows what it takes to make a hit in a book that's beautifully written, revelatory, funny, and full of almost unbelievable details." (Eric Schlosser, author of Fast Food Nation and Command and Control)

"Anyone who wants to understand how the clash of cultures has shaped what we listen to should read this important book. John Seabrook has a marvelous ear for language - and perfect pitch when it comes to music journalism." (Bob Spitz, author of The Beatles: The Biography)

Loved it!

Very captivating book about the people behind pop hits. An excellent read if you find songwriting and the process behind hit making interesting.

Imagine this book, but with real songs

I know it is probably hard due to the rights, but this books with song snippets would be just perfect. Otherwise great story and read very nicely. Although sometimes when the narrator was doing women voices it was a bit much.

Music history in a nutshell

Lots of great info here told in a journalistic way. I am an artist/songwriter and I found the information here very enlightening in confirming my own beliefs and experiences in the music industry. Although some parts lagged, there are some truly engaging parts in the book such as the anecdotes about the rise of boy bands and the Swedish pop takeover.

I would highly recommend it as a good resource for up and coming songwriters to get them familiar with the history of the industry they are about to embark upon. It is also a good read for the casual music fan, but might be a lacking in excitement for the non-technical music lay person.

Great book!

A great book for anyone who is interested in the Pop music industry.
very interesting stories and good story telling.

Contemporary pop music history as cautionary fun

The author knows how to craft an interesting tale anot what happened behind the scenes to make a hit song, the ones we recognize and hum along to today. The making of Ace of Base,, the Backstreet Boys, Britney Spears, Rihanna, and Katy Perry are some of the artists whose true tales are told, with backgrounds you maybe weren't aware of. While moving alling chronologically, you find out anot the ties and overlaps amongst three artists -- those who perform on the mic and those who wrote, produced or engineered the song performed.

The narrator serves the book extremely well. Without breaking into full song, he handles the sing-songy nature of the written words with ease, and he gives each person a personality of their own. He told this non-fiction work as if it wasn't, and made the retelling of musical history feel as if you were there at the time.

It was both informative and enjoyable.