True Noir
The Assassination of Anton Cermak
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In Depression-era Chicago, private eye Nathan Heller is caught between the Mob and City Hall in a battle for control of the 1933 World’s Fair while he attempts to find a lovely actress’ missing brother. Along the way, Heller meets an array of famed heroes and villains from Eliot Ness to Al Capone, climaxing with the detective dangling off a beam of the Fair’s sky tower.
From the legendary author of Road to Perdition comes another riveting “movie,” this one for the ears. With a truly stellar, unrivaled cast, an impressive musical score and stunning sound design, True Noir: The Assassination of Anton Cermak brings the award-winning Max Allan Collins novel True Detective—and the author’s celebrated detective hero Nathan Heller–to vivid, unforgettable life.
Narrators:
Anthony LaPaglia
Renée Taylor
Bill Smitrovich
Katee Sackhoff
Richard Portnow
Barry Bostwick
Jeffrey Combs
PJ Byrne
John Kapelos
Jesse Spencer
Louis Lombardi
a full cast
Kris Carr
C. Thomas Howell
Adam Arkin
Michael Rosenbaum
Don McManus
Curtis Armstrong
Vincent Pastore
Devon Conrad
David Strathairn
Corey Landis
Saverio Guerra
Bill Mumy
William Sadler
Rob Roy Fitzgerald
Patton Oswalt
©2024 Imagination Connoisseurs Unlimited (P)2024 Imagination Connoisseurs UnlimitedLos oyentes también disfrutaron:
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Rich details, great performances, riveting story
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Immersive story. Excellent.
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Read the book, loved the radio play
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My only beef is the editing and sound design. In general it's good, but there are sooooo many times that the dialogue is held up so we can hear a foley/sound effect. As if people can't walk and talk at the same time. I suspect that the actors were all recorded separately too, and Frankensteined into the whole. If your director is paying attention you can make this work. If they don't have the whole show clear in their head it becomes more of a puzzle that needs to be force together. It's a medium that is every bit as exacting as cinema, but requires a different skill set. One doesn't always flow to the other. I suspect the whole show could have been 10-15 minutes shorter, and more effective with a visionary at the helm.
I know that voice over is a Noir tradition, but I think it's used too much here. "Show don't tell" is completely possible in Audio Drama, and you need to trust the audience. They're not stupid.
Largely, I liked it. Just a few nitpicks.
Great cast, great script, lacking in post
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