A History of Fear
A Novel
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By:
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Luke Dumas
Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it.
When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted the nation for years: was Hale a lunatic, or had he been telling the truth all along?
The first-person narrative reveals an acerbic young atheist, newly enrolled at the University of Edinburgh to carry on the legacy of his recently deceased father. In need of cash, he takes a job ghostwriting a mysterious book for a dark stranger—but he has misgivings when the project begins to reawaken his satanophobia, a rare condition that causes him to live in terror that the Devil is after him. As he struggles to disentangle fact from fear, Grayson’s world is turned upside-down after events force him to confront his growing suspicion that he’s working for the one he has feared all this time—and that the book is only the beginning of their partnership.
“A modern-day Gothic tale with claws” (Jennifer Fawcett, author of Beneath the Stairs), A History of Fear marries dread-inducing atmosphere with heart-palpitating storytelling.
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Critic reviews
"Outcast American Grayson Hale follows in his father's footsteps to Scotland, where he allegedly kills in the name of Satan. An ensemble of narrators lends credibility to the illusion that this is a true story, along with the introduction and comments throughout by Toni Frutin — but it is fiction. The first-person story is masterfully delivered by Graham Halstead as Hale recounts his life as a confused young man. He is ignored by unloving parents and a fear of the devil, who sends horrible creatures to attack him, creatures only he can see. After his arrest for murder, he becomes infamous by insisting the devil forced him to kill. The narrators effectively instill an undertone of horror and helplessness, making listeners pity Hale. Are his visions real-or the product of a deranged mind? They keep us guessing."
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