Burning Bright
A Play in Story Form
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Narrated by:
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Richard Poe
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Critic reviews
By the Winner of the Nobel Prize in Literature
“A morality play conceived with poetic intensity.” —New York Herald Tribune
“[Burning Bright’s] four solitary characters are neither flesh-and-blood nor stock figures; husband, wife, friend, outsider, they are the legendary archetypes of folklore, speaking a spare, bare-boned language salted with color—a kind of abstract folk speech that is stilted, poetic and moving.” —The New York Times
“A morality play conceived with poetic intensity.” —New York Herald Tribune
“[Burning Bright’s] four solitary characters are neither flesh-and-blood nor stock figures; husband, wife, friend, outsider, they are the legendary archetypes of folklore, speaking a spare, bare-boned language salted with color—a kind of abstract folk speech that is stilted, poetic and moving.” —The New York Times
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Named for the Blake's The Tyger poem, this is a experimental play-novelette form which worked well for me in Of Mice and Men but seemed heavy handed here. The prose are a bit overly theatrical and the morality-play aspects seems both dated and overblown.
Still, it is well written and was an enjoyable listen.
The narration is clear, but is overwhelmed by the theatrical language.
A bit Heavy Handed
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