Filthy Animals

By: Brandon Taylor

Narrated by: Kevin R. Free, Nicole Lewis, TL Thompson

INSTANT NATIONAL BESTSELLER

WINNER OF THE STORY PRIZE

SHORTLISTED FOR THE DYLAN THOMAS PRIZE

NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY

A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life

In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.

One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

Absolutely Lovely and Sad

The author here uses description to pull you in and feel the environment in an intimate way. He then draws us in through Pathos. Sometimes as a reader and voyeur, it is uncomfortable to be so close to the individual feelings of his characters. It is there, inside of this discomfort, that we feel our own humanity.

This is really bad.

One of the most difficult parts of this book is it's not clear who it's for. Is this a collection of short stories? There isn't enough to make any of them make sense alone. (Some don't make sense anyway.) Is there a story through line? Maybe, but that's not we'll articulated and it's boring as all get out. Sure, the author is clearly a strong writer, but when it turns from prose into poetry, I lose what genre this book is again. Also, almost all the characters are unlikable, which makes it hard to care. Readers are okay, nothing special.

Painful to finish

Short stories spread across a book… some plots continue across chapters while others fade out, ending in an awkward way. I had hopes for a few storylines (the dancers) that caught my interest but was ultimately disappointed and not worth my time. Most of the characters are unlikeable, storyline is trivial.. what the purpose? Our book club read it because it was a Madison author (one of our members has read other pieces from this author); and we all agreed it was the worst!