God Bless You, Otis Spunkmeyer

A Novel

By: Joseph Earl Thomas

Narrated by: JD Jackson

An "intoxicating, propulsive...utterly mesmerizing" novel about Black life in Philadelphia and the struggle to build intimate connections through the eyes of a struggling ex-Army grad student (Kaveh Akbar, author of Martyr!)

After a deployment in the Iraq War, Joseph Thomas is fighting to find his footing. Now a doctoral student and EMS worker, he encounters round the clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak, and responsibility.

Balancing the joys and frustrations of single fatherhood, his studies, and ceaseless shifts at the hospital as he becomes closer than he ever imagined to his father, Joseph tries to articulate vernacular understandings of the sociopolitical struggles he recounts as participant-observer at home, against the assumptions of his friends and colleagues. God Bless You, Otis Spunkmeyer is a powerful examination of every day Black life—of health and sex, race and punishment, and the gaps between our desires and our politics.

ONE OF THE MILLIONS’ MOST ANTICIPATED BOOKS OF 2024

Critic reviews

“In this complex novel, a young man lives on two timelines. In one he’s working a very long hospital shift, increasingly dizzy with hunger. In one he relives his history, ‘a version of the truth wrapped in a longer lie,’ working through love and lust, memory and regret. You might call it present time and past time, or body time and head time. While God Bless You, Otis Spunkmeyer is about all the traps of black reality (poverty, fear, war, sickness, death) it’s also always about language, writing and speech, play and voluminous possibility. Joseph Earl Thomas’s writing is contemplative, hilarious, disorienting, tragic, and thoroughly daring, full of life and style.”

—Elisa Gabbert, author of Any Person Is the Only Self

“Joseph Earl Thomas’s God Bless You, Otis Spunkmeyer is a brilliant novel of hunger and work and care and grief that deftly captures the maddening mess of everything that makes life worth living. Thomas is a skilled, surgical prose stylist; his sentences are magnificent scalpels. There isn’t a single dull line in the book. God Bless You, Otis Spunkmeyer is unpredictable, unsentimental, and impressively tender.”
—Isle McElroy, author of People Collide

PRAISE FOR SINK

“Thomas really does accomplish the extraordinary…[He] has constructed a sort of alchemy on the page, but one born of experience, from skill and from a trust about what will end up on the other side…perhaps one of the biggest boons of Sink is its insistence that care is, above all, shared. It is everyone’s prerogative. In this way, Thomas has earned a deep bow.”—New York Times Book Review

"For the reader, third-person narration creates a buffer to a brutal coming of age, and perhaps allows Thomas enough distance from his trauma to bravely expose the vulnerability and resilience of his youth."—Washington Post

“Thomas is a skilled prose stylist, and Sink is loaded with arresting imagery and insights into the eerie space between claustrophobia and freedom unique to childhood.”—Vulture

"Joseph Earl Thomas has created a narrative that reads like a request and loving demand. Sink is a new kind of memoir, remixing the best parts of the genre. Though cohesive, the chapters in Sink are brilliant and brilliantly different. Thomas uses the act and politics of oration to move us within the silences of desire. It’s the way Thomas narrativizes encounters that make this book different than any memoir I’ve read, but also, so more propellant than any memoir in recent years. It is criminal and absolutely delicious that Sink is a literary debut. It is stunning in its audacious goodness." —Kiese Laymon, award-winning author of Heavy

Another Perspective of Urban Life

I enjoyed the cadence of the narration as it touched on many themes which occupied the thoughts of the main character. I appreciate that all characters were multidimensional. The insight of the main character as he was not only trying to survive, but thrive in his world and beyond was refreshing and real. I read the reviews regarding the book in print and there were comments regarding grammar. I would suggest listening to the book, as the full flavor of the text comes out in the spoken word.