In Cold Blood
Failed to add items
Sorry, we are unable to add the item because your shopping cart is already at capacity.
Add to Cart failed.
Please try again later
Add to Wish List failed.
Please try again later
Remove from wishlist failed.
Please try again later
Adding to library failed
Please try again
Follow podcast failed
Please try again
Unfollow podcast failed
Please try again
Audible Standard 30-day free trial
Select 1 audiobook a month from our entire collection of titles.
Yours as long as you’re a member.
Get unlimited access to bingeable podcasts.
Standard auto renews for $8.99 a month after 30 days. Cancel anytime.
Buy for $20.25
-
Narrated by:
-
Scott Brick
-
By:
-
Truman Capote
On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.
In one of the first non-fiction novels ever written, Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, generating both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.
Accolades & Awards
Audible Essentials
Most Popular
Edgar Award
1966
Listeners also enjoyed...
Editorial review
Editorial review
By Kat Johnson, Audible Editor
IN COLD BLOOD IS STILL THE GOLD STANDARD IN TRUE CRIME
In Cold Blood was the first true crime book I ever read, and after that, the bar was set. I was a junior in high school and a massive bookworm, though until then I’d read almost exclusively fiction, usually of the Great American Novel variety. For all I knew when I first picked it up, at a thrift shop or take-one/leave-one library where I hunted down cheap books, it WAS fiction, such was the towering reputation of Truman Capote and the breathless description of murder and Americana on the back cover.
Of course, as I now know full well, In Cold Blood is Capote’s 1966 masterpiece of narrative nonfiction—so rich in detail, dialogue, and character that it’s also called a "nonfiction novel"—and the crime it depicts was real, a media sensation in its day. Capote had already published a bestselling debut novel, Other Voices, Other Rooms (1948), and the triumphant novella Breakfast at Tiffany’s (1958) when he went to Holcomb, Kansas with his friend Harper Lee to report on the shocking murders of four members of the popular and prosperous Clutter family, inspired by little more than a brief New York Times article calling it "the case of a psychotic killer." Armed with charm, confidence, and boundless ambition, Capote gained the locals’ trust and soon convinced all the key sources that his story was the one they had to be part of.
Capote was right. Like Serial a half-century later, In Cold Blood ushered in a new kind of true crime storytelling, one that centered both journalistic excellence and the narrative art of fiction. Showcasing Capote’s immaculate prose and intimate access to those involved (particularly convicted killer Perry Smith), the book was an instant success whose reputation has only grown. From its frightening description of the murders—the lonely Clutter farmhouse and open Kansas plain scare me to bits even without the quadruple homicide, thank you—to Capote’s authenticity-soaked regionalisms and atmosphere, In Cold Blood is an entire world as seen through the lens of a crime: the random, senseless violence; the hyper-nuanced portraits of the victims and killers, who lives might have turned out some other way, any other way; the peculiar celebrity of murder; the slow machinations of justice and the horror of death row.
I will never forget that first time reading it, which transported me from my dorm room in Rhode Island to a Kansas farmhouse, then to a claustrophobic prison cell. More recently I discovered the audio version, a legend in its own right thanks to narrator Scott Brick’s pitch-perfect performance, which seamlessly marries Capote’s haunting authorial voice with homespun prairie-isms (I lost count of all the "I don’t rightly know"s). With chilling precision and palpable respect for the material, Brick captivates as the tale gathers momentum. Depending on where you are when you listen, his performance might even be too immersive for comfort.
True crime conveys truths about the world that can be hard to hear. But in Capote’s telling and Brick’s performance, In Cold Blood beats with beauty, humanity, and propulsive storytelling to keep us listening through the darkness and through the decades.
Continue reading Kat's review >
Critic reviews
"A masterpiece ... a spellbinding work." —Life
"A remarkable, tensely exciting, superbly written 'true account.' " —The New York Times
"The best documentary account of an American crime ever written ... The book chills the blood and exercises the intelligence ... harrowing." —The New York Review of Books
"A remarkable, tensely exciting, superbly written 'true account.' " —The New York Times
"The best documentary account of an American crime ever written ... The book chills the blood and exercises the intelligence ... harrowing." —The New York Review of Books
Featured Article: The Audible Essentials Top 100
Featured Article: The Audible Essentials Top 100
The spirited (but friendly) debate over these titles could have gone on indefinitely. With years of listening, countless customer reviews, and a catalog of seemingly infinite great listens, 100 suddenly felt like a very small number. What we know for sure—each title that made it to this collection is elevated and made special in some way by audio, whether by a layered performance from a single narrator, a brilliantly cohesive full cast, original music, or immersive sound effects. Discover an audio experience for the ages.
People who viewed this also viewed...
I've since learned different, of course. Not only does 'everyone' not live like that, but hardly anyone does, or not anymore, anyway. Just as 'To Kill A Mockingbird' by Truman Capote's friend Harper Lee defined a certain kind of life in the south, just as did 'A Tree Grows in Brooklyn' by Betty Smith define life in Brooklyn, so Capote's 'In Cold Blood' defines the essence of prairie life in the 1950's. For that reason alone, it's an American classic.
Since then, I reread the book a couple of times, just because I became a dedicated fan of Capote's writing (if not of his lifestyle). But never has the brilliance of his writing come home to me as it did, in listening to Scott Brick reading it. The book and narration constitute a masterwork, by any standard. Yes, Capote perfectly captured the rhythm of life in rural Kansas, but it seems to me he was just as adept at getting inside the minds of the ruthless killers. I haven't any standard to measure that, of course, but the killers are just as believable as were the Clutter family, their traipse through Mexico and back again just as real.
This is an audiobook I will listen to again and again -- honestly, I might not read it again, but listen again? Absolutely. So many nuances jump out at you when you're listening, little details your eye might skim over when you're reading it. What's really interesting is how scary this book is, even though there's very little gore, in the purest sense. Today we're bombarded with 'serial killer' books, with detailed descriptions of the horrors they perpetrate on their victims. You won't find that here, and yet the horror comes through with an even greater impact.
This is a brilliant book, genius-class, for sure. And the narration couldn't possibly be better. This book belongs in everyone's home library. Don't miss it.
Awesome and unforgettable.
Something went wrong. Please try again in a few minutes.
Scott Brick is one of my favorite narrators and he brings an added bonus to the work. This novel will be liked by the who-dunnit crowd even though who-dunnit is know; the thriller people will love it as well. Add this book to the bucket list!
Fabulous -- Why Did I wait so Long to Listen?
Something went wrong. Please try again in a few minutes.
- Truman Capote, In Cold Blood
I'm not sure why I waited so long to sit down and read this novel. I've read and enjoyed Other Voices, Other Rooms and Breakfast at Tiffany's. Perhaps, it is just that the novel wasn't very, well, novel. Without having read it I felt I already knew it. I was surrounded by New Fiction inspired by Truman Capote's 1966 book (originally published serially in the New Yorker). Everyone now seemed to write long-journalism pieces like Capote. His influence on journalism and especially on New Journalism was huge. But my kids were reading Harper Lee's To Kill a Mockingbird and, perhaps, triggered by some vague, dusty memory that Harper Lee and Truman Capote were cousins and that she helped Capote out with the research and interviews for 'In Cold Blood' I decided it was the right time to read one of my copies (I own a first edition* and a Modern Library copy).
I wasn't born, but apparently when this came out in the New Yorker back in the mid-1960s it was a sensation. I'm trying to think of a series of articles recently that could compare. Probably the closest thing might be the PODCAST "Serial" or the TV show "Making a Murderer", but I still sense that it was bigger. It was one of those works that both made the author and kind of destroyed him too.
Anyway, it was brutal. Brutal because of its very humanity. Dick and Perry aren't painted as horrible (or even scary) killers. Like Arendt, Capote's trick (perhaps not trick) is to show us how banal, how casual evil is. It was like staring wickedness in the face and recognizing just a bit of oneself (but the boring, cereal eating side). It reminded me of a German Shepherd my dad (a veterinarian) rescued once when I was a kid. He was viscous. I spent hours trying to "tame" him. Over months I was able to (I thought) reduce the anger, the fear, the viciousness in this dog. But occasionally I would see it. He (the dog) hated old people. An old man or woman would walk by our fence and "Bozo" would go mad. We finally found an adopted home for him. Months later, we heard he had jumped an 8 foot fence and attacked an old man and had to be put down. I remember thinking how sad it was. I loved that dog, but at the same time, I recognized that there was something IN that dog that was dangerous and would never change. Anyway, that was kind of how I felt reading about Perry. Here is a man who had, at one level, a certain gentle quality, but without regret, without much pushing, could also quickly kill another human being. I think that duality. That humanity touched by that evil is what haunts that book and makes it relevant now and into the future.
* These aren't very rare because the first edition of 'In Cold Blood' was printed like it was the Bible in 1966 because of the interest shown by the original New Yorker articles.
All Crimes Were 'Only Varieties of Theft'
Something went wrong. Please try again in a few minutes.
For those who aren't really familiar with the book, a short synopsis: This is a "true crime" story about the murder of the Clutter family in the small western Kansas town of Holcomb, and the story of the murderers and the aftermath of the crimes. It isn't a mystery---we know from the outset who committed the crimes and that they were caught---but the details of the criminals' ongoing escape, the pursuit and the reaction of the small community provide a stunning story.
One word of warning: This book is pretty graphic in places with regard to the state of the murder victims. Not for small children or the squeamish.
Wow!
Something went wrong. Please try again in a few minutes.
A Must-Read True Crime Novel
Something went wrong. Please try again in a few minutes.
