Language as Liberation

Reflections on the American Canon

By: Toni Morrison, Claudia Brodsky - introduction

Narrated by: Bahni Turpin

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious.

In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racial identity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings.

With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?”

To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

Critic reviews

“We’ve long known the late Toni Morrison as a Nobel Prize-winning novelist and an astute cultural critic. Here we engage her as a scholar in a collection of Princeton University lectures enriched by marginalia, a beguiling testament to a prodigious mind in motion. American literature has been shaped by streams of influences from an array of continents and peoples, a ‘chaos’ of imagery and rhythms as vibrant and volatile as the nation itself. Taking stock of works from writers like Herman Melville, William Faulkner, and Gertrude Stein, Morrison probes the ‘powerful presence of Africanist personae, discourse, and narrative’ within our emerging canon.”
—TIME Magazine

“Provides unprecedented insight into Morrison’s roles as cultural critic and thought leader. . . . Morrison inverts our understanding of classic American literature. . . . An insightful invitation to revisit the familiar with new eyes.”
—Booklist

“Deeply insightful investigations of major works.”
—Kirkus