Single & Single
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Narrated by:
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Michael Jayston
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By:
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John le Carre
New York Times bestselling author John le Carré's novels deftly navigate us through the intricate shadow worlds of international intrigue with unsurpassed skill and knowledge, and have earned him unprecedented worldwide acclaim.
A lawyer from a London finance house is shot dead on a Turkish hillside by people with whom he thought he was in business. A children's magician in the English countryside is asked to explain the arrival of more than five million pounds sterling in his young daughter's modest trust.
In Single & Single, le Carré masterfully establishes a sequence of events whose connections are mysterious, complex and compelling. He tells of corrupt liaisons between criminal elements in the new Russian states and the world of legitimate finance in the West. He also paints an intimate portrait of two families: one Russian, the other English; one trading illicit goods, the other laundering the profits; one betrayed by a son-in-law, the other betrayed, and redeemed, by a son.
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Worth the trouble
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After reading and reviewing Our Kind of Traitor, I kept being drawn back to Single & Single, a le Carré I listened to and read last year, but never actually got around to reviewing. Both Single & Single & Our Kind of Traitor are part of le Carré's banking/black-market brand of post-Soviet spy fiction. Certainly not everyone's genre jam, but being a finance guy myself, I kinda dig 'em.
Anywho, this is one of those post-Cold War, pre-Iraq war novels where le Carré emerges as not just the grand master of spy fiction, but as perhaps the grand master of both the Cold War and the Ambiguous Thaw. He was noticing in the late 90s what a lot of the rest of us only figured clearly out a few years into the War in Iraq. Those who are guarding the BIG secrets, might not be the most trustworthy people around.
I love how le Carré plays around too. He isn't just angry, he is also clever and confident. Part of me really wants to believe that in the beginning of Single & Single, the gun that both exists and doesn't exist seems like a twist on Chekhov's gun. Let's call it Schrödinger's gun. Ladies and gentlemen of the court, this gun both exists and it doesn't. This gun that shows up in Scene I has already gone off, or perhaps it hasn't. No need for Chekhov. No need for Chekhov's gun. Everyone please keep your juried seats. As the big C once said, "One must never place a loaded rifle on the stage if it isn't going to go off. It's wrong to make promises you don't mean to keep." During this stage of le Carré's career, it seems like THAT is all he wanted to do. Break promises. Break with the past. Show you the gun, and the write a whole damn book about ignoring it.
* Michael Lewis
The spy who came back to the bank
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More!!!
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Overall still my favorite author for the genre.
Thanks
Not his best
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One of the best by Le Carre!
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