The Applicant

By: Nazli Koca

Narrated by: Günes Sensoy

A singular debut from “an important and radical new literary voice” (Elif Batuman), The Applicant explores with wit and brevity what it means to be an immigrant, woman, and emerging writer

It’s 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure.

Increasingly distant from what used to be at arm’s reach—writerly ambitions, tight knit friendships, a place to call home—Leyla attempts to find solace in the techno beats of Berlin’s nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and—against her political convictions and better judgment—begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father’s ghost still haunting their lives?

While she waits for the German court’s verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut.

©2023 Nazli Koca (P)2023 Recorded Books

Compelling Themes

Sensoy does a great job with the performance of this novel. I think the story has compelling aspects, but I didn’t feel it did justice to them. I’ve read reviews elsewhere referring to this as a “disaster woman novel.” Although the description is new to me, it’s fitting.