The Man in the Glass House
Philip Johnson, Architect of the Modern Century
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Narrated by:
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Mark Bramhall
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By:
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Mark Lamster
When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable - and influential - figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, Connecticut, and his controversial AT&T Building in New York City, among many others in nearly every city in the country - but his most natural role was as a consummate power broker and shaper of public opinion.
Johnson introduced European modernism - the sleek, glass-and-steel architecture that now dominates our cities - to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump.
Award-winning architectural critic and biographer Mark Lamster's The Man in the Glass House lifts the veil on Johnson's controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A roller-coaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful and tells the story of the built environment in modern America.
©2019 Mark Lamster (P)2019 Blackstone Audio, Inc.Listeners also enjoyed...
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Johnson the superflous
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Unbelievable mistake in the first line.
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Earlier in my life, I had admired what he had achieved in those years of the 1970's through late 1990's. Most of my fellow architects however thought his work as elitist and hyperbolic yet his work did always maintained the sense of irony for which it was justified by the sophisticates. So he was not ever on the 'A' list of architects but he had made a big impact on the City of Houston where I resided at that time. His works were like spectacles of showmanship but not architecture in the great sense of the word in which he aspired.
Our author of The Man in the Glass House has revealed much more about the person than I had known. Maybe there were rumors about him that were never proven in the past. Now I cannot find redemption in this person and consequently have relinquished appreciation for his achievements.
After reading this book, I can't separate what he was as a person from the work he produced. It was a difficult journey having travailed this book.
A Person of Distain
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Wonderful book
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Disappointing!
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