The Radium Girls
They paid with their lives. Their final fight was for justice.
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Narrado por:
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Kate Moore
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De:
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Kate Moore
NEW YORK TIMES BESTSELLER
All they wanted was the chance to shine. Be careful what you wish for…
‘The first thing we asked was, “Does this stuff hurt you?” And they said, “No.” The company said that it wasn’t dangerous, that we didn’t need to be afraid.’
As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous – the girls shone brightly in the dark, covered head to toe in dust from the paint. However, as the years passed, the women began to suffer from mysterious and crippling illnesses. It turned out that the very thing that had made them feel alive – their work – was slowly killing them: the radium paint was poisonous.
Their employers denied all responsibility, but these courageous women – in the face of unimaginable suffering – refused to accept their fate quietly, and instead became determined to fight for justice.
Drawing on previously unpublished diaries, letters and interviews, The Radium Girls is an intimate narrative of an unforgettable true story. It is the powerful tale of a group of ordinary women from the Roaring Twenties, who themselves learned how to roar.
Reconocimientos y premios
Premio Goodreads Choice
2017
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Reseñas de la Crítica
'Kate Moore’s new book will move, shock and anger you.'
‘This fascinating social history – one that significantly reflects on the class and gender of those involved – [is] Catherine Cookson meets Mad Men . . . The importance of the brave and blighted dial-painters cannot be overstated.’
‘Thrilling and carefully crafted.’
‘Heartfelt.’
‘Kate Moore . . . writes with a sense of drama that carries one through the serpentine twists and turns of this tragic but ultimately uplifting story.’
‘Fascinating yet tragic.’
‘Heartbreaking . . . what this book illustrates brilliantly is that battling for justice against big corporations isn’t easy.’
‘A perfect blend of the historical, the scientific and the personal, this richly detailed book sheds a whole new light on this unique element and the role it played in changing workers’ rights. The Radium Girls makes it impossible for you to ignore these women’s incredible stories, and proves why now, more than ever, we can’t afford to ignore science, either.’
‘Carefully researched, the work will stun readers with its descriptions of the glittering artisans who, oblivious to health dangers, twirled camel-hair brushes to fine points using their mouths.’
‘Moore’s harrowing but humane story describes the struggle of a few brave women who took their case to court in a fight for justice that is still resonant today.’
‘Kate Moore’s The Radium Girls tells the story of a cohort of women who made history by entering the workforce at the dawn of a new scientific era . . . Moore sheds new light on a dark chapter in American labour history; the radium girls . . . live again in her telling.’ (Megan Marshall, Pulitzer Prize-winning author)
‘Kate Moore’s gripping narrative about the betrayal of the radium girls – gracefully told and exhaustively researched – makes this a non-fiction classic. Moore’s compassion for her subjects and her story-telling prowess . . . bring alive a shameful era in America’s industrial history.’ (Rinker Buck, author of The Oregon Trail)
Las personas que vieron esto también vieron:
You need to hear this story.
You need to face the horrors of workers from a different era.
Loved it.
A wonderful, horrible history
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exceptionally well narrated
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Based on true story
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The radium girls deserve a better book
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Therein lies the second problem. While I love narrative nonfiction, with this book I think she used too many fictional techniques in trying to bring the characters to life. I thought over and over that there was no way the author could know X. She’s in a person’s head describing thoughts and feelings she couldn’t know. She’s in a closed room, describing actions nobody saw. For example (this isn’t direct from the book, but it is representative of a scene in the book): Dr so-and-so stood in his empty office. He was grumbling as he dug through his messy desk drawer looking for an X-ray. Once again, he wished he were more organized and felt like a failure in the organization department. He ran his hand through his black hair, slicked back with hair pomade, scowled at the greas on the palm of his hand, wiped it off on his brown tie, and said, “Now where did I put that x-ray?” and continued to dig.
While I understand the author used original source material, examples like the above run rampant throughout the book. Are we to believe that material exists from the 1920s where we know what the doctor, alone in his office, was doing, thinking, feeling, wearing? I think not. She does this with about every single character--and like I said, there are a ton of people in the book.
Also, many repetitive gruesome descriptions of what happened to “the girls.” Had I been reading, I would have skimmed. Just a ton of repetition in general.
The author (English) narrates her own book and did a very nice job. It’s usually a disaster when novelists read their own fiction, but it seems nonfiction writers are much better at reading their memoir or nonfiction.
While this is a story that needed to be told…
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