The Seven O'Clock Club
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Narrated by:
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Clare Corbett
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Emma Gregory
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Luke Francis
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Nikki Patel
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By:
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Amelia Ireland
A PEOPLE MAGAZINE BOOK OF THE WEEK ∙ A SUNDAY TIMES BESTSELLER ∙ A ZIBBY OWENS MOST ANTICIPATED BOOK OF 2025
Freya, Callum, Mischa, and Victoria have nothing in common--well, except for one thing: they’ve each experienced a deep personal loss that has led them to an unconventional group meeting, every Tuesday night at seven. A meeting they’ve been particularly selected for that will help them finally move on. At least, that's the claim.
As they warily eye one another and their unnervingly observant group leader, one question hangs over them: why were they chosen? To get the answer, they are going to have to share a whole lot of themselves first. Getting Freya, Callum, Mischa, and Victoria to trust each other is vital--because the real reason they’re connected will shift the ground beneath their feet.
Riveting and wise, The Seven O’Clock Club shows us the courage needed to face your past and the joy that can be found in stepping into your future.
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Critic reviews
“Touching and heartfelt.”—USA Today
"When a discovery blows their worlds apart—and takes the narrative in a wildly different direction—it cements the mastery of this provocative, wholly original novel."—People
"Readers will be charmed by the well-drawn characters and impressed by Ireland’s high-wire act. It’s irresistible."—Publisher's Weekly
"This touching and startling debut novel asks how to put into words a sorrow that feels beyond comprehension and whether some wounds can ever mend.”—Shelf Awareness
“The divine Amelia Ireland has written a surprising and glorious debut novel. Ireland has created a world where broken hearts are mended and grief can only be released in mutual understanding. When Freya, Mischa, Callum and Victoria meet Genevieve Dempsey, they are lost and broken. As the novel unspools, they find their way to back to truth and ultimately—love.”—Adriana Trigiani, New York Times bestselling author of The Good Left Undone
“Finished in one sitting. Had no idea where it was going but knew there was something lurking. Incredible twist. Ends with a final lap of the ride when you think it is all over. Different. Clever. Genuine. Sad. Reminded me in parts of The Outlaws. I will be recommending this to friends.”--Ericka Waller, author of Goodbye Birdie Greenwing
"When a discovery blows their worlds apart—and takes the narrative in a wildly different direction—it cements the mastery of this provocative, wholly original novel."—People
"Readers will be charmed by the well-drawn characters and impressed by Ireland’s high-wire act. It’s irresistible."—Publisher's Weekly
"This touching and startling debut novel asks how to put into words a sorrow that feels beyond comprehension and whether some wounds can ever mend.”—Shelf Awareness
“The divine Amelia Ireland has written a surprising and glorious debut novel. Ireland has created a world where broken hearts are mended and grief can only be released in mutual understanding. When Freya, Mischa, Callum and Victoria meet Genevieve Dempsey, they are lost and broken. As the novel unspools, they find their way to back to truth and ultimately—love.”—Adriana Trigiani, New York Times bestselling author of The Good Left Undone
“Finished in one sitting. Had no idea where it was going but knew there was something lurking. Incredible twist. Ends with a final lap of the ride when you think it is all over. Different. Clever. Genuine. Sad. Reminded me in parts of The Outlaws. I will be recommending this to friends.”--Ericka Waller, author of Goodbye Birdie Greenwing
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Wow! A heartfelt story with unexpected consequences
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Fantastic, what a twist…but….
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Some novels spend a lot of time describing the world, creating vivid imagery. I’ve read books that maybe dwell too long on that part. But what struck me about this one is that it’s the first I’ve read that spent zero time on world-building. There are no Easter eggs or foreboding hints about what’s to come, so you just assume it’s set in the real world. Which makes it feel disingenuous and jarring when the narrative suddenly veers into the supernatural—or even sci-fi. (Like, what are these fibers and portals, huh?) I thought this was a book about grief? No, wait—it’s about the afterlife. Actually, scratch that. It’s about an organization that runs the afterlife… and it doesn’t seem benevolent? Nevermind, that’s not it either.
Then come detective transcripts from an investigation that’s never really concluded. And I’m left wondering: why am I reading this? I still don’t know what this book was about—or if it had a message at all. And that would be totally fine if I felt like I’d been taken on a wild ride. But… no wild ride. Not enough detail or writing or investment to earn that.
It starts with an interesting premise that builds and expands until… you’re forced to just put a pin in it. The “twist” lands more like a non sequitur or gratuitous slap in the face. And even if you’re willing to keep going in hopes that it’ll all come together in a clever way—nope! Instead, it detours into reincarnation. Then introduces two brand-new characters in the epilogue. Loose ends everywhere. Some weirdly detailed subplots that never pay off. For example: a woman carries a letter from her dead mother in her bag because her whole life was a lie. Intriguing! Let’s build that out? Nope!
The initial premise was clever. It might’ve worked better as a much longer story—maybe a trilogy—so those subplots could be properly woven in. Or, it could’ve been condensed into something short and tight, like a mysterious novella about reincarnation. But instead, it ended up in an awkward middle ground. It really needed to go back to the drawing board.
Anyway, a debut novel that felt Frankensteined into publication—and ultimately wasn’t worth two days of my reading time.
Mess
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Creative with a Twist!
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Thoroughly enjoyed!
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