The Subplot

What China Is Reading and Why It Matters

By: Megan Walsh

Narrated by: Nancy Wu

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics?

The Subplot takes us on a lively journey through a literary landscape like you’ve never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel laureate Mo Yan, and what is widely hailed as a golden age of Chinese science fiction. Chinese online fiction is now the largest publishing platform in the world.

Fueled by her passionate engagement with Chinese literature and culture, Megan Walsh, a brilliant young critic, shows us why it’s important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, and they work on a different wavelength to keep alive ideas and events that are either overlooked or off limits. The Subplot vividly captures the ways in which literature offers an alternative—perhaps truer—understanding of the contradictions that make up China itself.

Interesting overview of Chinese fiction today

More like a long New Yorker article than a typical book, but really enjoyed it as a window into an aspect of contemporary Chinese culture I knew nothing about

Excellent perspective on contemporary Chinese society.

In a heavily censored society where the government decides which books live up to Communist state standards, authors and readers long for more. By explaining what Chinese authors & readers want to read, and what the government censors, this book provides insight into Chinese society that you won’t find in the news.