What If...? Vol 2 Audiobook By Robert Cowley cover art

What If...? Vol 2

Eminent Historians Imagine What Might Have Been

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What If...? Vol 2

By: Robert Cowley
Narrated by: Murphy Guyer
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There is no surer way to feel the danger or the good fortune of our collective past than to contemplate those moments when the world's future hung in the balance. Our brightest historians speculate on some of these intriguing crossroads and the ways in which our lives might have been changed for the better -- or the worse.

These unabridged essays range across the full span of history. Geoffrey Parker describes ramifications that might have included a divided Reformation movement, a strengthened Catholic leadership, and no European settlements in the Americas. And Caleb Carr argues that we could have been spared the horrific last six months of World War II in Europe if Eisenhower had seized his chance to destroy the Nazis in the fall of 1944.

This all-star list of award-winning and bestselling authors includes Lance Morrow, Andrew Roberts, Cecelia Holland, Theodore F. Cook and others.
Franklin D. Roosevelt World Military United States War Winston Churchill Social Sciences Americas Interwar Period Russia Self-Determination Imperialism Roosevelt Family Imperial Japan Cold War Capitalism Middle East Latin America Soviet Union Socialism Social justice Africa Middle Ages Refugee Iran

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What If...? Vol 1 Audiobook By Robert Cowley - editor cover art
What If...? Vol 1 By: Robert Cowley - editor
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The introduction to this second What If book promises to go beyond the first volume's war- and conflict-heavy focus on "counter-factual history."
As a genre of history writing, "counter-factual," or "what if" scenarios, are a particularly fun and engaging way of looking at events. The essays contained in this book are written by several different historians, each with their own style and approach.
They seem to work best when the authors truly explore the alternate scenario, providing a fantastical, narrative account - such as the counterfactual "history" of a world where the Chinese became a great seafaring empire, or if Jesus had been spared by Pontius Pilate.
Unfortutnately, the majority of the essays are written by authors who are brilliant historians, but hardly great writers. Military history, despite the promise of the introduction, still dominates the book. The final essay, a speculation on a world where the potato was never introduced to Europe, carries on for ages about facts and figures, and dwindles off in a weak afterthought, committing only the last very few seconds to the idea of a Europe without potatoes. It is as if the author of that final piece had been reminded right at the end what the thesis of this book was.
The most disappointing aspect of the audiobook, however, is the narrator himself. With a flat, dispassionate voice and mediocre sense of timing, Murphy Guyer comes across more like a high school teacher than a professional reader. His mangled pronunciation of Chinese names takes one of the best essays in the book down from gripping to merely bearable.
A shame, since the narrators of Volume I had done such a good job.
Worth the free download, but not up to the usual standards of Simon & Schuster Audio.

An interesting book tainted by a poor narrator

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There is no such thing as "counterfactual history": rather there is fiction that uses history as the grist for its mill. It is thus as fiction that one should judge "What If?," and as fiction it sucks. The volume starts with a curmudgeonly gripe about the professionalization of history in the academy. The first effort in the collection is an eye-rolling fantasy about Jesus and the crucifiction. The writer meanders through a muddle of gross characterizations about religion (it is "about" interpretation, we are told), then wanders through some cardboard set-pieces about Pontius Pilot. I found myself baffled and bored. I like history and attempts to think through the challenges of writing stories about a past from an available archive. I also like historical fiction: self-conscious novelizations of sometimes familiar and often unfamiliar characters that mean to illuminate another time, place, and people. I stopped listening about 45 minutes into the volume. I deleted the selection and plan to add something better written, or at least intellectually interesting, or both. Churlish defenses of the value of this type of enterprise are unconvincing, especially if the authors are unwilling to be explicit about how it is that the fiction that spins out of the phrase "What if?" might help us to understand "what was" and, ultimately, what could be.

Surprisingly amateurish, grating, and curmudgeonly

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