Today is International Women’s Day, a global celebration of the social, economic, political, and cultural achievements of women, so here’s a French composer whose name you may not have heard before, but you should!

After all, her music was good enough that Gabriel Fauré, Paul Dukas, and Maurice Ravel performed it at musical salons in Paris. She was a close friend of the famous composer and teacher Nadia Boulanger, studied organ with Louis Vierne, and composition with Vincent d’Indy.

But enough name-dropping. Her name was Charlotte Sohy. Born in Paris in 1887, and in the early decades of the 20th century, achieved both professional status and public success as a composer, writing masses, art songs, piano pieces, chamber music, and this symphony, which dates from 1917.

Unlike many women composers of the past, Sohy’s husband fully supported her career. After all, he was also a composer, and she even collaborated with him on a few of his pieces. Still, even in cosmopolitan Paris, she chose to publish her music under the pseudonym Charles Sohy, and while her chamber works received performances, her symphony remained unperformed during her lifetime.

Charlotte Sohy (1887-1955): Symphony in C-sharp minor; Orchestre National de France; Débora Waldman, conductor; Palazzetto Bru Zane Label BZ-2006

She’s been called a “British Gershwin” but perhaps a “British Poulenc” might more accurately describe the genial and graceful music of Madeleine Dring, a woman whose diverse and energetic creative life was cut short, when, at 53, she died suddenly on today’s date in 1977.

Dring was born into a talented musical family in 1923, and she showed early promise. On her tenth birthday she won a scholarship to study at the Royal Conservatory of Music in London, and eventually studied composition with Herbert Howells, Ralph Vaughan Williams, and Gordon Jacob. Dring was soon providing incidental music and songs for amateur and professional theatrics. She was also a gifted singer and actress, and performed occasionally on stage and television.

She married British oboist Roger Lord, and a number of her chamber works feature that instrument.

Six volumes of her songs were published after her death, largely through the persistence of her husband, and many of her other works have been published, performed, and recorded with increasing frequency, especially in the United States.

Sadly, Dring died just when women composers began to receive increasing attention from music historians, performers, and audiences worldwide. A British survey of her life and music was published in 2000.

Madeleine Dring (1923-1977): Three Piece Suite; Cynthia Green Libby, oboe; Peter Collins, piano; Hester Park 7707