An unofficial motto of ours here at HAG is: things get worse before they get worse. And now we have evidence to support that immutable truth in the form of the time lapse apocalypse, i.e. the demonstrative enshitification of things since our last broadcast in the spring of this year. Through careful analysis of the pictures now and then, it appears things have gotten shittier. You want to see the evidence? (are you sure you want to see it?) AI’s nefarious influence has soaked deep into the pools of education, and in the words of HAG’s guiding light, Saint Rosenstock, the future is dubm. In today’s episode we take our Benihana knives to the whole “AI Education” fiasco. Another bit of inexplicable stupidity has Secretary of Defense Pete Voldemort resurrecting the zombie corpses of Confederate monuments to “restore” the nation’s proud past with more dehydrated history. To paraphrase Frederick Douglass, what’s missing here is not debate, but irony.

Well, there it is, just a smidgen of the evidence to illustrate the time lapse apocalypse. Not to fear, your HAG sushi chefs will filet and atomize the gross conceits of these evil-doers, and like lightning to a tree, offer a little historical shock therapy to bring our poor battered sensibilities back into focus.

Welcome to HAG, Episode 73, late-summer edition.

Opening Theme by Jessie DeCarlo

Music Interludes:

Ambulance LTD -- "Primitive (the way I treat you)"

Captain Beefheart & His Magic Band -- "Dropout Boogie"

Contact us at Historyagainstthegrain@gmail.com

Historyagainstthegrain.com

Chris and Josh discuss living in an age of pandemic, play a game of Love/Hate, and Josh explains the need to decolonize world history.

Contact us at historyagainstthegrain@gmail.com

Website: Historyagainstthegrain.com

References in this Episode: Elizabeth Kolbert, The Sixth Extinction, An Unnatural History, https://us.macmillan.com/books/9781250062185 Jill Lepore, "What Our Contagion Fables Are Really About," https://www.newyorker.com/magazine/2020/03/30/what-our-contagion-fables-are-really-about Carl Zimmer, "Welcome to the Virosphere," https://www.nytimes.com/2020/03/24/science/viruses-coranavirus-biology.html Aimé Césaire, Discourses on Colonialism, https://nyupress.org/9781583670255/discourse-on-colonialism/ Nicholas Thomas, Colonialism's Culture, https://press.princeton.edu/books/paperback/9780691037318/colonialisms-culture

Welcome to the age of discourse dumping, are you dizzy? Do you study emoji eyes to find your facial recognition? Does the world look like a Cubist painting? Is the phrase ‘rubber baby buggy bumper’ starting to make sense? Not to worry. We are here to reassure you that the White Knight is, in fact, talking backwards and the inmates are indeed running the asylum. Our prescription: put the lime in the coconut and drink them both together, listen to Episode 72, and then you’ll feel better. HAG is, after all, the Harry Nilsson of history podcasts, and our very special guest today is Moritz Mihatsch, Cambridge scholar and co-author (with Michael Mulligan) of Shifting Sovereignties (available now). Their terrific new book offers an illuminating journey through the global history of what power has forever wanted you to believe, i.e. that the right folks are in charge. Excavating the meaning of sovereignty from the sedimentary layers of the human past, our guest explains why governing has always relied on a Wizard of Oz-like control over sound and color, equal parts legal pretense and quasi-religious authority, to create cover for whatever power wishes to do. So click your heels twice, repeat “there’s no home like HAG, there’s no home like HAG,” and settle in for more therapeutic historical analysis of a world trying to make us crazy.

Website: History Against the Grain

Opening Theme by Jessie DeCarlo

Music Interludes:

Gil Scott Heron and Makaya McCraven: "Running"

Darkside: "American References"

Is the strange truer than fiction, and are nations weirder than their staid mythologies? This episode we put that question to the test by considering some of the mind-bendingly strange truths of the more distant past, as well as the nutty history happening in real time right outside our windows. So who you calling strange anyway? You better take a good look in history’s mirror with your HAG hosts and our very special guest this episode, to see how it all reflects. Sarah Schneewind, distinguished scholar of Chinese history at UC San Diego, joins us to chat about her textbook, and why preparing students to confront the very strange in history builds empathy and bolsters critical thinking, altogether a good skill set for managing the strangeness of our contemporary world.

History Against the Grain

Opening Theme by Jesse DeCarlo

Music Interludes:

Nick Shoulders, "All Bad"

Cindy Lee, "Diamond Jubilee"

Like rock climbers scaling a big wall, Josh and Chris take on the towering crag of higher education. Josh finds perspective on this adventure in tackling a monumental read, Peter Heather’s Christendom, a story of how paradise was lost in the orthodoxies and power drive of the hulking monolith known as the Roman Catholic Church. Wary of such heights, Chris stays closer to ground and belays the discussion, releasing the climber’s narrative rope with the story of David Walker’s Appeal, a saga from the early days of the radical freedom movement. In this episode, tall tales that might otherwise leave you lost in the thin alpine air, are safely and expertly scaled by your sure handed HAG guides, who promise to meet you at the summit of historical insight.

Website: HistoryagainsttheGrain.com

Email us: HistoryagainsttheGrain@gmail.com

Opening theme by Jesse DeCarlo

Music Interludes:

Gil Scott Heron and Makaya McCraven, "I'm New Here"

Mach-Hommy, "Magnum Band Remix"

AI needs copper. Yes. Sure. Okay. But what happens next? We live in a world of banal narrative - news media, politics, advertising - wherein our lives are curated with messages and stories of progress and performative empathy (think “thoughts and prayers” or “appreciate your patience and understanding”). Much of this gospel of progress and toxic positivity contradicts our own lived experiences - we know things don’t work, and the system sets up to screw us. History narratives often work that way too, with big national stories of shiny continuity and advancement, where the occasional “road bumps” — say, environmental destruction and labor impoverishment due to the strip mining of, oh, copper — get written off as collateral damage. Just aberrations in the narrative, with stories of people and places lost in the folds of a map, and unremembered lives hidden in the shadows of the archives. And the beat of progress goes on. Want the truth? Demand better stories about the past. Forget about “objectivity,” “both sides,” and god knows, “fair and balanced,” and make your inquiries avowedly truthful and ethical. Look into the shadows, examine the folds, investigate the cracks in the storytelling, because like Leonard Cohen said, cracks are where the light comes in.

When is a war not a war, but a police action? When is killing not killing but a “pragmatic, managerial militarism”? If you guessed, when the war criminal represents a liberal democracy, you win the cheese! If you simply said, “Henry Kissinger,” you win the whole wheel of cheese! “A perfect expression of American militarism’s merry-go-round” is what historian Greg Grandin calls Kissinger’s tautology of justifying wars in the present by appealing to wars in the past. And here at HAG, we have our own name for it. We call it, the narcissism of power. With narcissists of power, it can be pretty hard to tell the heroes from the villains, especially when they all use the same AI-generated come on. But as Frank Herbert reminds, you better think twice before accepting the doe-eyed kid with the perfect locks and curls is a messiah, cause he might just be a pissed off, spice-sniffing, megalomaniac with a rising body count out to settle some scores. Our advice? Ask to see his publicity photos first, and find out what’s going on his statue before signing over your soul.

Sell the story and people will buy the product, so goes a hallowed principle of marketing. It works so well in advertising that corporations will spend 7 million dollars on a 30-second Super Bowl commercial, peppered up with shilling celebrities, just to sell a donut. And what works for donut companies works for nations. Wrap the story in enough celebrity mythology - let’s call it history - and a nation can sell almost anything: bad deeds become star-spangled reveries, while the supposedly sacred symbols veil the product’s toxic contents.

Join us with our special guest Ricardo Catón, as we ponder the past, from the banal to the just plain bad, and the marketing schemes known as national history.