Publisher's summary

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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Episodes
  • Hsuan L Hsu, "Olfactory Worldmaking" (U Minnesota Press, 2026)

    Hsuan L Hsu, "Olfactory Worldmaking" (U Minnesota Press, 2026)
    Mar 24 2026
    Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    26 mins
  • Prolepsis

    Prolepsis
    Mar 23 2026
    In this episode of High Theory, Gloria Fisk talks to Kim about Prolepsis. Defined by Gerard Genette in the 1970s, prolepsis is a flash forward, the opposite of analepsis, a flash back. Initially the province of high modernism, this rhetorical device has become a well-worn trope with a surprising aptitude for representing violence in our current moment. Fisk shows us how prolepsis dramatizes the workings of structural violence in narrative form. In the episode, Gloria references Stokely Carmichael and Charles Hamilton’s Black Power: The Politics of Liberation (Random House 1967) and Michael Dango's Crisis Style: The Aesthetics of Repair (Stanford UP 2021). The transcript lives here as a WordDoc and here as a PDF. Gloria Fisk writes about contemporary literature in a global context, with a particular interest in the novel. She works as an associate professor of English at Queens College, CUNY. Her areas of interest include the critical debates surrounding world literature in the U.S. as well as novel theory, postcolonial studies, translation theory, and critical writing. In her first book, Orhan Pamuk and the Good of World Literature (Columbia UP 2018), Gloria reads the Turkish novelist Orhan Pamuk as a case study in the unevenness of Western canons’ expansion across the eastern border of Europe. She theorizes the ways the Turkish novelist arrives among his readers in the U.S. and Europe, where he meets a standard for literary value that that emerges in tandem with him. In this episode, we discuss her current book project, in which Gloria theorizes the ethics and politics of prolepsis in contemporary world literature. Her project asks why so many novels that reach Anglophone readers today begin with a scene of terrible violence — a chemical spill, maybe, or untimely death at sea; incarceration, or a terrorist attack — to narrate in retrospect the paths that converge to create it? This use of prolepsis is historically specific to the contemporary period, so Gloria sets out to explain why. She shows that proleptic representations of violence were rare in Western literary traditions until the turn of the twenty-first century, but they have become ubiquitous now, because they work well to express new anxieties and hopes about the limits of our political communities, within and beyond the nation. The working title of her book is We Know How This Will End: Prolepsis, Tragedy, and the Representation of Structural Violence on a Global Scale. Look forward to seeing it in print! The image for this episode is an anonymous illustration from a 1554 broadsheet depicting celestial phenomenon over Salon-de-Provence. It was found for High Theory by Lily Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    17 mins
  • Katharine Gerbner, "Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica" (Duke UP, 2025)

    Katharine Gerbner, "Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica" (Duke UP, 2025)
    Mar 23 2026
    In 1760, following the largest slave revolt in the eighteenth-century British Empire, the Afro-Caribbean word Obeah first appeared in British colonial law. In Archival Irruptions, Katharine Gerbner traces how British authorities in Jamaica came to criminalize Obeah, a practice that was variously seen as a healing method, an Africana religion, a science, and a form of witchcraft. Gerbner shows that in the years directly preceding its criminalization, for enslaved Africans and Maroons, Obeah was a prophetic practice tied to healing and death rites. Drawing on Moravian missionary archives, Gerbner theorizes these descriptions of African religious beliefs, rituals, and concepts as "irruptions" moments when Africana epistemologies break the narrative of a European-authored archival document. In these irruptions, we see European assertions of authority through the lens of Obeah. Moreover, we find that the modern category of religion is rooted in the histories of slavery, rebellion, and the criminalization of Black religious practices. Gerbner's search for archival irruptions not only creates an opportunity to write an alternative narration about Obeah; it provides a new methodology for all those conducting archival research. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
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    57 mins
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