When the Hollywood classic, Casablanca, was released in 1943, moviegoers were thrilled by the love story. Humphrey Bogart stars as the cynical owner of Rick’s Cafe, a nightclub in Morocco. Ingrid Bergman is his old flame, Ilsa, now married to Victor Laszlo, a dashing resistance leader hunted by the Nazis.

Many of the characters at Rick's Café are European refugees trying to make their way to America. What most viewers didn't know is that those characters were played by actors who themselves had recently fled the Nazis. This casting choice lent the film an authenticity that helped deliver its message: that a war far from our borders was a war worth waging.

This is the final episode of our series about Isaac Woodard, a Black soldier who was beaten and blinded by a white police officer in 1946. In the last episode, radio host Orson Welles, who was investigating the case, learned the officer's identity.

Isaac Woodard himself told a reporter, "Nothing they can do to the police officer will give me my eyes back, but if they punish him good and legal it may keep the same thing from happening to some more of our boys coming back home. I want him punished."

But demanding accountability and getting it were two different things—especially in the Jim Crow South. This week, the officer goes to trial, and the President of the United States takes notice.

Last week, we shared the story of Isaac Woodard, a Black soldier who was brutally beaten by a white police officer in South Carolina. No one knew the name of the police officer. Or even the town where it happened. Not even Woodard himself.

By the summer of '46, the case was gaining national attention thanks to Orson Welles, who was investigating the crime, week-by-week, on his radio show.

Today, episode 2 of our series Orson Welles and the Blind Soldier, about an incident in a small, southern town that became a spark in the growing civil rights movement.

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Thanks to Richard Gergel for his book Unexampled Courage and Indiana University’s Lilly Library for archival audio. Music from Matthias Bossi and Duke Ellington.