University of Michigan Press Podcast Podcast By New Books Network cover art

University of Michigan Press Podcast

University of Michigan Press Podcast

By: New Books Network
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Interviews with authors of University of Michigan Press books.New Books Network Art Literary History & Criticism World
Episodes
  • Susanne Vees-Gulani, 'Icon Dresden: Baroque City, Air War Symbol, Political Token" (U Michigan Press, 2026)
    Mar 23 2026
    Icon Dresden: Baroque City, Air War Symbol, Political Token (University of Michigan Press, 2026) by Dr. Susanne Vees-Gulani explores how memory and politics in Dresden after its 1945 bombing are deeply intertwined with the city’s urban history. It highlights the complex origins of Dresden’s reputation as an exclusively cultural center, focusing on urban planning, marketing, tourism, and the city’s visual archive since the 17th century. Based on this iconic status, a narrative of victimhood arose after its destruction that ignored responsibilities while highlighting the city’s innocence. Despite its origin in Nazi propaganda, this narrative influenced postwar political discourse in socialist and post-reunification Germany. Icon Dresden also provides insight into Dresden’s role under National Socialism and the GDR’s evasive response to this history. It reveals how the strong presence of far-right movements in the city today stems from multiple discourses formed over centuries and communicated from generation to generation. Drawing on urban, heritage, and tourism studies, visual and memory studies, and environmental psychology, Icon Dresden examines Dresden’s history, identity, visual representations, and rebuilding decisions. It exposes the narratives that define its place in German and international memory and how, paradoxically, they support both Dresden’s current image as a symbol of peace and reconciliation and its backing of nativist and far-right movements. The book is available Open Access. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    43 mins
  • Pedro Thiago Ramos Bassoe, "Supernatural Japan: Izumi Kyoka and the Global Fantastic" (U Michigan Press, 2026)
    Mar 18 2026
    Supernatural Japan: Izumi Kyoka and the Global Fantastic (U Michigan Press, 2026)examines the role of Japanese writer Izumi Kyōka (1873–1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya, The Grass Labyrinth, and The Castle Tower. Despite the clearly modernist elements and global influences of Kyōka’s fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form. Pedro Bassoe considers how Kyōka’s stories have been produced by a meeting of global influences—including Apuleius, The Arabian Nights, Hans Christian Andersen, the Brothers Grimm, Prosper Mérimée, Guy de Maupassant, Gerhart Hauptmann, and Jules Verne—combined with traditional Japanese genres. Bassoe develops the notion of “the scholarly fantastic” to describe how a set of realistic epistemologies reinforce the fantastic in Kyōka’s writings. Supernatural Japan offers an up-to-date introduction to Izumi Kyōka and his writing for students, scholars, or fans of Japanese fantasy literature and media. Pedro Thiago Ramos Bassoe is Assistant Professor of Japanese at Purdue University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    33 mins
  • Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)
    Mar 10 2026
    Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 9 mins
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