Andrei lies moaning from a head wound on the Pratzen Heights, symbolic of the numerous souls dead or wounded.

The depiction of Andrei chasing military glory but falling short, was influenced by how Kutuzov historically lost his son-in-law, Theodor von Tiesenhausen, at Austerlitz. Kutuzov sent the young noble, who served as an aide-de-camp, to rally retreating troops. After Tiesenhausen seized a fallen standard and ran forward, he was quickly shot in the chest. Frenchmen swarmed him and there was a barbaric scuffle over his military decorations. When Napoleon took a victory lap, he noticed the “glorious” sight of the barely alive Tiesenhausen still holding the flagstaff.

Andrei is a physical causality but was imbued with a realization of the baseness of war. Going in and out of consciousness, Andrei held onto the value of his vision. Unable to open his eyes, he thought, “Where is it, that lofty sky that I did not know?” He did not remember the intricate battle plans nor leading the charge. What brought him back to earth was the burning pain in his head. When he heard the sound of approaching horses and French voices, he finally opened his eyes and captured the clouds floating majestically and the blue infinity beyond.

Tolstoy has Napolean have a fictional interaction with Andrei while making his triumphant walk. Napolean comments on the gallantry of the fallen, notably a grenadier whose body was swelling and blackening. It is sinking in for Andrei that there is very little admirable about such a man’s life being wasted. Napolean approached Andrei, whose hand was still on the flagstaff and asserted: “That’s a fine death!” Andrei now regarded Bonaparte’s words as the buzzing of a fly. Napoleon seemed insignificant compared with the sky, which is representative of the Almighty.

Andrei desperately wished to be assisted back to life. He collected all his strength to utter a sickly groan. Napoleon immediately ordered Andrei to be treated and rode on met Marshal Lannes, who congratulated his Master. Andrei remained in agony, but regained his bearings after he was placed with other wounded officers.

Napoleon encounters Andrei once again when he inspects the overflow of valuable prisoners. The senior officer captured was Nikolai Repnin-Volkonsky, an Imperial Guard Colonel, who Andrei recognized from Petersburg. Napoleon commended Repnin, saying: “Your regiment was honorable in fulfilling their duty.” Repnin responded “The praise of a great commander is a soldier’s highest reward.” More kind yet superficial words were bestowed on a young lieutenant. Napoleon then sees and remembers Andrei and calls him, “mon brave” an old fashioned term meaning “my good fellow” or “my good man.” Andrei remains silent on the only occasion he would meet his one-time idol. All the vain interests that absorbed men like Napoleon now seemed so insignificant. This is Tolstoy’s comment on the value of military glory. Andrei thought of the pettiness of such men compared to the lofty, equitable and gentle sky. His mind was on a plane of solemnity. Various factors led to his mental state including: the loss of blood, nearness of death and appreciation of the divine. Napoleon instructed that Andrei and others be cared for by his own doctor and bid Prince Repnin, Au revoir!” He galloped away -- shining with satisfaction.

Frenchmen who had carried Andrei had stolen the gold icon his sister gave him. However, seeing the favor the Emperor bestowed, quickly returned the charm. Beholding the icon made Andrei consider: “it would be good if everything were as clear and simple as it seems to Mar’ya.” He yearns to know where he should seek for help and what to expect beyond the grave. Andrei considered the nature of the Almighty and how to address his prayers. Andrei realizes that he understands the greatness of something incomprehensible but paramount. He conceptualized the Almighty’s ineffable power and contrasted this with image on his amulet, which is a critique of graven images.

When Andrei’s stretcher moved on, he again felt pain that was difficult to endure. He experienced visions of his father, wife, sister, and future son. He considered his quiet home life and peaceful happiness that he never appreciated. He realized only the heavens promised a similar peace.

Upon examination, Napoleon’s doctor pronounced a grave prognosis: “He is a nervous and sickly subject…and will not recover.” Inevitably, the doctor and War Machine moved on leaving Andrei and others to the care of the inhabitants of the district.

That finally ends analysis of Book 1, which is about 25% of the novel.

Cover Image is from the painting: Eruption of Vesuvius, 1824, by Johan C. Dahl.