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At eight years old, Ricky Ian Gordon pulled The Victor Book of Opera off his piano teacher’s bookshelf, and his world shifted on its axis. Though scandal, sadness, and confusion would shake that world over the next few decades, its polestar remained constant. Music has been the guiding force of Gordon’s life; through it, he has been able not only to survive great sorrow but also to capture the depths of his emotion in song. It is this strength, this technical and visceral genius, that has made him one of our generation’s greatest composers.

Part cultural history, part biography, this is the fascinating story of Richard Wagner's life, influences, gift for storytelling, and artistic revolution, culminating in his dramatic journey to write The Ring Cycle. The Ring Cycle is one of the most epic and compelling operas of the nineteenth...

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

The New York Times bestseller about a young black man's journey from violence and despair to the threshold of stardom: "A beautiful tribute to the power of good teachers" (Terry Gross, Fresh Air). "One of the most inspiring stories I've come across in a long time." —Pamela Paul, New York Times...

Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.  

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

Here is the colorful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations. This absorbing history is illustrated by over 100 musical examples by Naxos artists as well as some of the greatest singers of the 20th century, including Enrico Caruso and Fyodor Chaliapin.

Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future. Drawing on interviews with dozens of opera insiders—as well as...

Classical Music for the Modern Listener: Breaking Down Barriers to the Great Composers Unlock the world of classical music like never before! Whether you’re a curious beginner or someone who’s long been intrigued by the timeless beauty of classical compositions, Classical Music for the Modern Listener is your ultimate guide to understanding, enjoying, and connecting with the world’s greatest music. In this accessible, engaging book, you’ll discover how classical music evolved, how to listen to its many forms, and how you can experience it more deeply—without feeling overwhelmed by...

This unique book brings together George Bernard Shaw's witty and iconoclastic take on Wagner's masterwork, The Ring of the Nibelungen, with the composer's own essay on the role of art in revolution.

A lively introduction to opera, from the Renaissance to the twenty-first century There are few art forms as visceral and emotional as opera -- and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with...

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

With war clouds gathering and harassment increasing, the stars of Continental opera, many of whom are Jewish, face dark futures under the boot heel of the Nazis. What can two middle-aged British spinsters do about such matters? They can form a secret cabal right under Hitler’s nose and get to work saving lives. The sisters conspire to bring together worldwide opera aficionados and insiders in an international operation to rescue Jews in the opera from the horrific fate that everyone intuits is coming.

"Wagner's Ring Motifs" is aimed in the first instance at listeners new to the Ring and is intended to convey the fascination of Wagner's music...

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

From the New York Times’s former chief classical music critic, a tribute to one of the great singers of modern times and a national treasure who broke racial barriers The night before Marian Anderson performed her historic concert at the Lincoln Memorial, she called her manager with grave...

Through a deft compilation of primary sources—letters, memoirs, and personal accounts from composers, librettists, and performers—Michael Rose re-creates for his readers the circumstances that gave rise to fifteen operatic milestones. From Monteverdi and Mozart to Puccini and Berg, each chapter focuses on a well-known opera and tells the story that lies behind its creation.

Madama Butterfly runs the gamut of operatic emotions. The title heroine has a fragility wonderfully expressed in her entry music, deep sexual instincts as shown in the love duet, and immense tragic stature in her last hours. The fate of Madama Butterfly - married to an American sailor and then abandoned - engages our emotions to a degree equaled by few other opera heroines. The oriental setting and the exquisite orchestral and choral writings are treasured bonuses.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.