The Zero

A Novel

By: Jess Walter

Narrated by: Christopher Graybill

The Zero is a groundbreaking novel, a darkly comic snapshot of our times that is already being compared to the works of Franz Kafka and Joseph Heller.

From its opening scene—when hero cop Brian Remy wakes up to find he's shot himself in the head—novelist Jess Walter takes us on a harrowing tour of a city and a country shuddering through the aftershocks of a devastating terrorist attack. As the smoke slowly clears, Remy finds that his memory is skipping, lurching between moments of lucidity and days when he doesn't seem to be living his own life at all. The landscape around him is at once fractured and oddly familiar: a world dominated by a Machiavellian mayor, and peopled by gawking celebrities, anguished policemen, and real estate divas hyping the spoils of tragedy. Remy himself has a new girlfriend he doesn't know, a son who pretends he's dead, and an unsettling new job chasing a trail of paper scraps for a shadowy intelligence agency. Whether that trail will lead Remy to an elusive terror cell—or send him circling back to himself—is only one of the questions posed by this provocative yet deeply human novel.

Performed by Christopher Graybill

OK, I was confused

I admit it; I spent the first third of the book confused. I hadn't read any reviews prior to listening so I didn't know that Brian Remy, the main character, has memory gaps. I thought my audiobook was somehow skipping around and I couldn't figure out why!

But once I realized what was going on, I just went along for the ride and found The Zero interesting and well written. The story continued to be somewhat confusing, but falling into a whatever-comes-next-I'll-just-go-with rhythm (sort of like Remy) I found a lot to enjoy and never once thought about not finishing. The comically flawed characters, especially Guterak (well, maybe he was more normal than Remy after all) and the insane situation where son Edgar is mourning the death of his (very much alive) father kept me chuckling at the absurd situations that seemed to come out of nowhere. On the other hand, the disjointed story (I don't care what it's a metaphor for or statement about!) and the unsatisfying ending prevent me from giving it more stars.

I love Walter's writing style and would recommend the book for that alone, but if this had been my first Walter read, it might have been my last.

Good listen

If you could sum up The Zero in three words, what would they be?

Very descriptive book.great job keeping the reader guessing but very good describing the overall mood of the book

If you’ve listened to books by Jess Walter before, how does this one compare?

Not as good a book as beautiful ruins

Have you listened to any of Christopher Graybill’s other performances before? How does this one compare?

First time

Did you have an extreme reaction to this book? Did it make you laugh or cry?

No

Any additional comments?

Enjoyed it overall

Wow ...

This was not what I expected. Like many novels about 9/11 by familiar authors, this was largely a departure from the author's other work. The story is explained in the last 15 minutes; I'm just not sure I like the explanation. What this does have in common with other Jess Walter novels is his ability to give his audience pause. The reading by Christopher Graybill is spectacular. Listen til the very end and then decide.

Deadly, cold irony. Superb.

Weaver writes to devastating effect in this post 911, dark carnival tale of social insanity. It would be difficult to finish were it not for the author's deliberate insertion of beautiful moments- those moments allow the reader to draw breathe and plunge in again.

Fragments get old after 200 pages

After 200 pages of the same thing, you get another 125 pages of the same thing. Drop into a scene. It gets halfway interesting and you're ripped out. Drop into a scene. It gets halfway interesting and you're ripped out. The book could have been good if it evolved and did something different. But it doesn't.