Showing titles in History & Criticism

Television shows have now eclipsed films as the premier form of visual narrative art of our time. This new book by one of our finest critics explains—historically, in depth, and with interviews with the celebrated creators themselves—how the art of must-see/binge-watch television evolved...

Caddyshack is one of the most beloved comedies of all time, a classic snobs vs. slobs story of working-class kids and the white-collar buffoons that make them haul their golf bags in the hot summer sun. It has sex, drugs, and one very memorable candy bar, but the movie we all know and love didn't start out that way, and everyone who made it certainly didn't have the word classic in mind as the cameras were rolling.

Animal House, the film adaptation of stories Chris Miller published in National Lampoon about his experiences at a Dartmouth fraternity, is among the most beloved and successful comedies of all time. In fact, its portrayal of college party life is still imitated on campuses across the country: toga party, anyone? Now Chris Miller can finally answer the fans who all want to know one thing: was it really like that? The answer: yes, but much, much more out of control!

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Named a Best Book of 2022 by The New Yorker, Publishers Weekly, and NPR In this genre-defying “new kind of history” (The New Yorker), the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time. Born the same...

Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it “two thumbs up.” On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever...

In this one-of-a-kind Hollywood history, the creator of Instagram's celebrated @ThisWasHollywood reveals the forgotten past of the film world in a dazzling visual package modeled on the classic fan magazines of yesteryear. From former screen legends who have faded into obscurity to new...

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment.

From The New Yorker’s fiercely original, Pulitzer Prize-winning culture critic, a provocative collection of new and previously published essays arguing that we are what we watch. “Emily Nussbaum is the perfect critic—smart, engaging, funny, generous, and insightful.”—David Grann...

You may think you know Jerry Springer—the iconic TV host who presided over America's most controversial daytime talk show for 27 years. In that time, Springer’s name became synonymous with outrageous guests, taboo confessions, and vicious on-stage fights. But before The Jerry Springer Show made him infamous all over the world, Springer was something else entirely: a respected Midwestern politician whom many saw as a future leader in the Democratic Party. So how did this serious-minded idealist with lofty political aspirations take such a turn in such a radically different direction?

From the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. InBogie & Bacall, William Mann offers a deep...

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark City expands with new chapters and a fresh collection of restored photos that...

Doc Savage is the prototype of the modern fictional superhero. The character exploded onto the scene in 1933, with the Great Depression and the gathering clouds of war as a cultural backdrop. The adventure series is examined in relation to historical events and the changing tastes of readers, with special attention paid to the horror and science fiction elements. The artwork features illustrations, covers, and original art. Chapters cover Doc Savage paperbacks, pulp magazines, comic books, and fanzines, and an appendix offers biographies of all major contributors to the series.

The inspiring profile brought to life in the major motion picture A Beautiful Day in the Neighborhood, starring Tom Hanks in theaters Thanksgiving, plus a collection of warm advice and encouragement from America’s favorite neighbor Tom Junod’s Esquire profile of Fred Rogers, “Can You Say...

Saul Goodman v. Jimmy McGill: The Better Call Saul Critical Companion collects chief TV critic at Rolling Stone Alan Sepinwall's critical essays on every episode of the Emmy- and Golden Globe-nominated series. Sepinwall covered Better Call Saul from start to finish, and conducted exhaustive interviews with creator Vince Gilligan and stars Bob Odenkirk and Rhea Seahorn, reproduced here alongside new interviews with series cocreator Peter Gould.

You can learn a lot from the movies—about sex and relationships, about business, about history. Sure, there’s a fair amount of fantasy, wish fulfillment, and glorious hair to exaggerate everything, but for better or for worse, films remain one of the most important ways that viewers around the world learn about other people and cultures. And almost since the dawn of the medium, movies have shaped the public’s understanding of and assumptions about disability.

The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape...

A New Yorker Best Book of the Year, New York Times "Editors Choice," and Los Angeles Times "Must Read Book" "This is the biography of Clint Eastwood we've been waiting for." — Sir Christopher Frayling, author of Sergio Leone From the acclaimed film critic and New York Times bestselling...

For 13 years, 22 series and 175 shows, Richard Porter was script editor of Top Gear, from the first faltering pilot episode in 2002 until the very last show presented by Jeremy Clarkson, Richard Hammond and James May in 2015. Along the way they destroyed cars, sparked diplomatic incidents, set fire to caravans, almost killed one of the presenters, and somehow transformed Top Gear from a shabby BBC Two motoring show into an Emmy-winning, record-breaking, planet-straddling behemoth.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.