Mostrando resultados por autor "Mary Wollstonecraft" en Todas las categorías

From her deathbed, Mathilda tells the story she has carried in silence—one marked by love, loss, and a devastating truth that reshaped her life forever. Orphaned young and raised in emotional distance, she is reunited with her father only to face a revelation so profound it fractures their bond and drives him toward irreversible despair.

This fully annotated edition of "Frankenstein" includes: Two original critical afterwords (over 7,500 words) Computational lexical analysis of the 1818 text Historical essay on Mary Shelley's life and context Comparison of the 1818 and 1831 editions Original orthography of the first edition preserved Most readers have never read the real Frankenstein. The version taught in schools — the 1831 revised edition — is a domesticated text. Mary Shelley, older and burdened by grief, softened Victor's choices into the workings of fate, severed Elizabeth's blood tie to Victor, and muted the ...

Brought to you by Penguin. This Penguin Classic is performed by celebrated British novelist Jeanette Winterson, CBE. This definitive recording includes an introduction to the audio edition written and performed by Jeanette Winterson. Writing in an age when the call for the rights of man had...

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

NOW A NETFLIX FILM FROM ACADEMY AWARD–WINNING VISIONARY GUILLERMO DEL TORO NOMINATED FOR NINE ACADEMY AWARDS, INCLUDING BEST PICTURE Mary Shelley’s timeless gothic classicaccompanied by the art of legendary illustrator Bernie Wrightson live on in this gorgeous illustrated adaptation of...

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

First published in 1818, Mary Shelley’s Frankenstein: Or the Modern Prometheus stands as one of the greatest achievements in English literature and the foundation of modern science fiction. In this groundbreaking novel, Shelley weaves a tale of genius and despair, creation and destruction, exploring the boundaries of human ambition and the consequences of defying nature.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

La obra que cambió el mundo y puso las bases del feminismo moderno.

The real love story of Frankenstein! Released from a promise to keep portions of her journey secret, Mary Shelley lays her soul bare in the intimacy of love, loss, and betrayal, the search for a mother's validation, and inspiration as a woman artist discovering her voice.

On a miserable summer trip to Geneva with her future husband, Percy Bysshe Shelley, poet Lord Byron and a small group of friends, writer Mary Wollstonecraft was asked to participate in a game where the guests would create a ghost story and share it with the group. Everyone told their stories, but Mary's creation surprised them all. She had conceived of the idea that would later become her best known work, a tale of horror and creation, the legendary early science fiction classic: Frankenstein, or the Modern Prometheus.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.