Showing results by narrator "Ghizela Rowe" in All Categories

June - the sixth month of the year in our Gregorian calendar and the official byginning of summer. The days stretch to their longest, and many subjects and thoughts fill the minds of our poets, such as Dryden, Levy, Raleigh, Blunt and Dickenson, as they describy the warming days.

February - the second month of the year in the Gregorian calendar brings not only the shortest month but, for lovers everywhere, Valentine's Day. On this and other themes, our poets, including Nesbit, Teasdale, and Coleridge, have much to say.

October - the tenth month of the year in the Gregorian calendar, and the land prepares to give up more it its colourful coverings. On this and other themes, our poets, including Wordsworth, Rossetti, Arnold, Bryant, and Alford, have much to say.

Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

The United States has July 4th, Ireland St Patrick’s Day and France Bastille Day. Most Nations celebrate a particular day as ‘theirs’. That day is when they turn to themselves; to reflect on the past, to revel in the present and to look forward to the future. For England 23rd April is St George’s Day. St George, a hero from bygone days, who slays dragons and pursues other mythic deeds, is part of childhood. But for modern times, for modern nations, a greater purpose is needed. For England St George is best now described as a principle.

With almost a million words at its command, it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. Matthew Arnold is rightly placed amongst the other greats of Victorian poetry: Browning and Tennyson. The son of the founder of Rugby School, he grew up to become a poet via a career as a school inspector.

This collection of short stories contains several gothic tales of the macabre and chilling, by writers as diverse as Robert Louis Stevenson, Mary Shelley, H. P. Lovecraft and A. M. Burrage. These tales are designed to unsettle you, just a little, as you sit back and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are: "The Body Snatcher", by Robert Louis Stevenson; "The Mortal Immortal", by Mary Shelley; "The Thing on the Doorstep", by HP Lovecraft; and "Waxworks", by AM Burrage.

Ah, Nonsense! The English, it is often said, have a peculiar brand of humour. Along with copious cups of tea and a stiff upper lip it keeps life together in moments of difficulty and strife. One of our most-loved humourists is Edward Lear, famed throughout the world for his nonsense verse and limericks. Listen to this collection and find out why.

English Poetry, Volume 2 – An Introduction. The English language has grown into the Worlds pre-dominant spoken language. It’s estimated there are over one million words with which to do this. Its sources are rich and diverse, absorbing from other cultures and times without hesitation.

I should be whispering this because Halloween is almost upon us. A time of Witches, Ghouls and Hauntings and all kinds of scary things that come out the evening before All Saints Day to wreak havoc... I'm glad you're listening so let us begin.

Written by Rudyard Kipling, the popular British Victorian writer, these origin stories are fantasized tales written with a delightful sense of whimsy that charms adults and children alike. These excellent readings by Ghizela Rowe & Tim Graham make it abundantly clear why they have become such special classics that continue to tantalize and excite the imagination.

The role of Fathers has changed much over the course of centuries. Men are now better suited to a role of co-parent in this modern age rather than the stilted, slightly aloof figure of times past. Being a Father is, of course, both a blessing and a burden. This modern day parenting in a frenetic fast changing world has to be both learnt and adapted from some inner well of memory from generations past as well as on the job experience.

Written by Rudyard Kipling, the popular British Victorian writer, these origin stories are fantasized tales written with a delightful sense of whimsy that charms adults and children alike. These excellent readings by Ghizela Rowe & TimGraham make it abundantly clear why they have become such special classics that continue to tantalize and excite the imagination.

In this volume we examine some of the short stories of William Makepeace Thackeray. The great author of Vanity Fair and The Luck of Barry Lyndon was born in India in 1811. At age five his father died, and his mother sent him back to England. His education was of the best, but he himself seemed unable to apply his talents to a rigorous work ethic. After a few years of marriage his wife began to suffer from depression and over the years became detached from reality.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Katherine Tynan was born on January 23rd, 1859, into a large farming family in Clondalkin, County Dublin, and educated at a convent school in Drogheda. Her output was prolific; some sources have her as the author of almost a 100 novels. Here we concentrate on her poetry. Amongst the classics such as ‘The Wind That Shakes the Barley’ are numerous war poems. She is now sometimes grouped amongst the War Poets of the First World War.

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.