Showing results by author "Chesterton" in All Categories

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Eine Erzählung aus "Der Hammer Gottes" mit folgendem Inhalt: Sir Aaron Armstrong liegt tot am Bahndamm; Die Polizei tastet im Dunkeln; Ein Fall für Pater Brown.

"The Tremendous Adventures of Major Brown" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (December 19th 1903) While investigating a case of assault brought by Major Brown, Rupert Grant, the private detective, and his brother Basil stumble upon the Adventure and Romance Agency, Limited, an agency that creates adventures for its clients. The story is notable for prefiguring the concept of the alternate reality game.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

G.K. Chesterton is most notable for his creation of Father Brown. This unlooked for, and often unwelcome, detective is actually not a detective. But rather, an individual self-trained to think as criminals think, for he has heard so many of their confessions. He knows how their minds work, and can piece together many things that others cannot.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

At first, The Man Who Was Thursday seems no more than a detective story that also has both poetry and politics, as well. But it soon becomes a mystery that grows more mysterious, until it is nothing less than the mystery of creation itself.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

"The Wife of Flanders" by G.K. Chesterton [1874 - 1936] was published in Poems of the Great War in 1914 on behalf of The Prince of Wales’ national Relief Fund.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

Short story The Blue Cross is Chesterton's first Father Brown mystery. It introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. Brown has been committing acts to draw the attention of the police (throwing soup, knocking over apples, smashing a window) and leaving an obvious trail for them to follow. Valentin takes this opportunity to emerge from hiding with the policemen and arrest Flambeau. Both Flambeau and Valentin bow to Father Brown's superior detective skills.

Gilbert Keith Chesterton è stato uno scrittore e giornalista inglese famoso per i suoi racconti ironici, a volte paradossali, ma sempre ricchi di morale e buoni sentimenti. Famoso per le fortunate serie di Padre Brown, in questo libro, pubblicato nel 1905, ci propone sette racconti in cui due amici, lo scrittore stesso e un ex-giudice (forse un po' pazzo) si trovano coinvolti in avventure paradossali.Cornice musicale: The Sycamore di Scott Joplin.

When the body of the eccentric painter Sir Owen Cram is found on a deserted beach next to his easel, a murder enquiry is launched. It is clear that the injury which has killed him could not have been self-inflicted. Nor is the murder weapon anywhere to be found. But most mysterious of all, there is only one set of footprints in the sand leading up to the body, and these are Sir Owen's own. Even the scientists and police investigators are struggling to conceive how the murder has been committed.

Listeners will delight in these masterful chronicles of the adventures and mishaps of Father Brown. Small, round-faced and engagingly innocent, Brown is a Roman Catholic priest from East Anglia. He also happens to be a top-notch detective, possessing that rarest of all gifts - an intuition that never fails.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

LE PREMIER GRAND MAÎTRE, APRÈS CONAN DOYLE, DU ROMAN POLICIER MODERNE. Qui prêterait attention au Père Brown, ce petit prêtre catholique, falot et timide ? Sa face ronde exprime une telle naïveté qu'il passerait presque pour un idiot. Cet être à l'apparence insignifiante est pourtant doté d'un cerveau exceptionnel, capable de dénouer les énigmes les plus embrouillées. Il n'a pas recours à des méthodes d'investigation classiques. Il fait appel à des raisonnements tout à fait personnels, fondés sur sa profonde connaissance de la nature humaine.

Odna iz samyh izvestnyh rabot Chestertona. V ney my nahodim blistatel'nuyu paradoksal'nost' ehtogo avtora i grotesk, dohodyashchey do farsa. Sobytiya razvorachivayutsya vo vremena razgula anarhizma, ch'e orudie - terror. Saym, molodoy chelovek, voznenavidev vsedozvolyayushchiy liberalizm obshchestva, vstaet na zashchitu pravoporyadka i zdravogo smysla i... sovershaet bezumnye postupki.

Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown.This collection features five of Chesterton's most intriguing cases:The Shadow of the SharkThe Hammer of GodThe Invisible ManThe Queer FeetThe Blue Cross

Drei mächtige Männer kommen zusammen und planen eine Verschwörung. Drei andere Männer wünschen sich nichts mehr, als die Vernichtung ihrer Kontrahenten. Eine Konfrontation scheint unvermeidlich. Doch wer hätte dabei mit solcher Brutalität gerechnet?