The Darkwater Bride Audiobook By Marty Ross cover art

The Darkwater Bride

An Audible Original Drama

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The Darkwater Bride

By: Marty Ross
Narrated by: Clare Corbett, Donal Finn, Jamie Glover, Freya Mavor, Adrian Scarborough
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Late Victorian London. When the most respectable of Scottish businessmen is pulled, dead, from the Thames, his daughter is drawn into an investigation which reveals a whole world of secrets and corruption and leads all the way to the tragic truth behind the ghostly legend of The Darkwater Bride – in an epic drama combining the genres of the Victorian mystery thriller with the equally classic Victorian mode of the ghostly tale.

Featuring: Rachel Atkins, Amy Cooke-Hodgson, Clare Corbett, Stephen Critchlow, Donal Finn,Jamie Glover, Peter Gold, Joel Gorf, Chris Grahamson, Edward Harrison, David Holt, Frances Jeater, Yolanda Kettle, Fiz Marcus, Freya Mavor,Gerard McDermott, Nina Millns, James Parkes, Richard Reed, Adrian Scarborough, Lizzie Stables, Mark Straker, Ben Whitehead, Sarah Whitehouse and Sarah-Louise Young.

©2018 Audible, Ltd (P)2018 Audible, Ltd
Horror Ghosts Scary Historical Witty Thriller & Suspense Exciting Heartfelt Historical Drama Historical Fiction Thriller

Our favorite moments from The Darkwater Bride

The river runs restless in the night…
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Everything costs something.
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Your father was put on this Earth to make others worried.
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These black marks around the lips, burns, scars...
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  • The Darkwater Bride
  • The river runs restless in the night…
  • The Darkwater Bride
  • Everything costs something.
  • The Darkwater Bride
  • Your father was put on this Earth to make others worried.
  • The Darkwater Bride
  • These black marks around the lips, burns, scars...
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About the Creator

Marty Ross, dubbed the Glaswegian master of radio horror by the BBC, is the author of a number of radio and audio dramas, including the popular BBC series Ghost Zone and Catch My Breath, as well as audio dramas based on Doctor Who and Dark Shadows for Big Finish and several plays for the Wireless Theatre Company. He has written a series of grand scale audio dramas for Audible, ranging from radically contemporary re-imaginings of Shakespeare (Romeo and Jude) to his Audie-nominated adaptation of Treasure Island, and two volumes of Arabian Nights dramatizations. Ross also performs his own work as a live theater storyteller. Born in Glasgow, he now lives on the Scottish island of Arran, a few steps from a beach ideal for long walks the thinking of writerly thoughts.

About the Performer

Adrian Scarborough is an English actor known for a range of theater, television, and film performances. On stage, he has performed in Nottingham Playhouse's The Madness of George III, Don Juan in Soho at the Wyndham's Theatre, and The False Servant at National Theatre, Hedda Gabler at The Old Vic. In additional to several other stage performances, including Exit the King, King Lear, The Habit of Art, Time and the Conways, Once in a Life Time, and The Mandate, Scarborough's performance in After the Dance won him the title of Best Supporting Actor at the 2011 Olivier Awards. On television, he has been featured in Killing Eve, A Very English Scandal, Blunt Talk, Little Women, Professor Branestawm, Call the Midwife, Psychoville, Upstairs Downstairs, Gavin and Stacey, and Doctor Who. In film, Scarborough has appeared in hits such as Artemis Fowl, Christopher Robin, Les Miserables, The King's Speech, Lyrebird, The Madness of King George, and 2019's 1917, a Sam Mendes film about WWI. Most recently, he is in the process of filming as a regular character on Sandition for ITV.

About the Performer

Freya Mavor is one of the most exciting young talents in the industry and at the age of 25 has already been long listed for a César award for her work in France, named a Screen International Star of Tomorrow and been nominated for 2 Scottish BAFTAS. In the English Language her film credits include Sense of an Ending directed by Ritesh Batra, Sunshine on Leith directed by Dexter Fletcher and the forthcoming Trautmann directed by Marcus H.Rosenmuller. In French, Freya has shot the title role in La Dame Dans L'Auto Avec Des Lunettes Et Un Fusil by the award-winning director Joann Sfar, Cézanne et Moi directed by Danièle Thompson and the recent box-office hit L'Empereur de Paris opposite Vincent Cassel.

Her television credits include a leading role in the iconic series Skins, period dramas The White Queen for the BBC and New Worlds for Channel 4 and the HBO Alan Ball pilot Virtuoso. She was recently seen in The ABC Murders for the BBC and Amazon.

On stage Freya took the leading role in Good Canary, directed by John Malkovich.

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I'm a big fan of well made audio drama and would probably listen to a one about pottery. This was definitely technically strong enough performance to keep me listening.

The mood is gloomy to fit a really disturbing story that also attracted my interest as a fan of 19th century horror. Throughout the story is underlined the struggle of the female protagonist in a man's world where she's either overlooked or threatened, often sexually. This combines well with the crime story which is related to violence against women. The theme of women's emancipation is well developed throughout the story, even if sometimes the constant and relentless abuse of women by men felt a bit over the top to me. It was very disturbing, which was probably the purpose, but same time I also felt that the picture it painted of the world was too negative and sometimes it got me questioning the likelihood of the turns of events.

[EDIT: Since this review, I have been reading and listening to the history about the culture in the era, and it turns out that English culture really was incredibly male chauvinistic at the time and women's position extremely poor, rather exactly what it is described to be in this story, so much so that the non-supernatural content in this story now appears to me rather plausible.]

This is basically a detective story that combines elements of fairy tale sort of fantasy horror and violent sex crime fiction. Not exactly my cup of tea. I'm not completely against the use of supernatural in fiction per se, e.g. I love Bram Stoker's Dracula, and Lovecraft's work. But here I was left with a feeling, from very early on, that more realistic choices could have been more to my taste in this story, maybe because of its strong detective story nature. I'm also not a big fan of this sex and violence crime fiction. However, these elements were not badly woven together if you like this stuff.

The drama was bit broken by protagonist being also occasionally the narrator. This means that time to time she was telling the story instead instead of living it. This could be backed up by her being the only living witness to the story, but not actually witnessing all parts of it. So far so good. However, I felt that this was slightly inconsistent, since parts of the story seemed to be acted without her presence or narration. So, in the end, maybe better narrative solutions could have been made.

The performance was really fine. My only complaint would be that early to the story I sometimes was not sure who were the characters in the scene and where it took place. In the whole this was not a problem.

spooky audio drama / sex & violence crime fiction

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good if you like listening to TV . thats what it as like. good story, but it was like a 6hr movie with nothing to watch. a lot of sound effects. volumes kept going up and down.

eh.

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The story has some bits where it’s very interesting. If you’re into the supernatural it’s a decent listen. However, I find myself annoyed by the hyper-feminist protagonist. To me, she appears as a woman whose strength I admire, but her stubbornness at times interferes with her mission, making her essentially self destructive. At other times, this play reminds me of the Goosebumps series. It has moments and things get a little dark, but characters are one dimensional and actively hinder themselves. The performance was passable, but this is definitely not something I would recommend.

A Strong, independent woman who gets in the way

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I couldn't finish. Too gruesome for me. It took some time for me to get used to this type of reading also.

Just not for me.

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title says it all, the twist about this book is that it's not nearly as supernatural as it seems, but just as dark and twisted as you would expect.

this is a damn good story and deserves to be told

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