The Darkwater Bride
An Audible Original Drama
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Narrated by:
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Clare Corbett
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Donal Finn
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Jamie Glover
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Freya Mavor
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Adrian Scarborough
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By:
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Marty Ross
Late Victorian London. When the most respectable of Scottish businessmen is pulled, dead, from the Thames, his daughter is drawn into an investigation which reveals a whole world of secrets and corruption and leads all the way to the tragic truth behind the ghostly legend of The Darkwater Bride – in an epic drama combining the genres of the Victorian mystery thriller with the equally classic Victorian mode of the ghostly tale.
Featuring: Rachel Atkins, Amy Cooke-Hodgson, Clare Corbett, Stephen Critchlow, Donal Finn,Jamie Glover, Peter Gold, Joel Gorf, Chris Grahamson, Edward Harrison, David Holt, Frances Jeater, Yolanda Kettle, Fiz Marcus, Freya Mavor,Gerard McDermott, Nina Millns, James Parkes, Richard Reed, Adrian Scarborough, Lizzie Stables, Mark Straker, Ben Whitehead, Sarah Whitehouse and Sarah-Louise Young.
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About the Creator
Marty Ross, dubbedthe Glaswegian master of radio horrorby the BBC, is the author of a number of radio and audio dramas, including the popular BBC series Ghost Zone and Catch My Breath, as well as audio dramas based on Doctor Who and Dark Shadows for Big Finish and several plays for the Wireless Theatre Company. He has written a series of grand scale audio dramas for Audible, ranging from radically contemporary re-imaginings of Shakespeare (Romeo and Jude) to his Audie-nominated adaptation of Treasure Island, and two volumes of Arabian Nights dramatizations. Ross also performs his own work as a live theater storyteller. Born in Glasgow, he now lives on the Scottish island of Arran, a few steps from a beach ideal for long walks the thinking of writerly thoughts.
About the Performer
Adrian Scarborough is an English actor known for a range of theater, television, and film performances. On stage, he has performed in Nottingham Playhouse's The Madness of George III, Don Juan in Soho at the Wyndham's Theatre, and The False Servant at National Theatre, Hedda Gabler at The Old Vic. In additional to several other stage performances, including Exit the King, King Lear, The Habit of Art, Time and the Conways, Once in a Life Time, and The Mandate, Scarborough's performance in After the Dance won him the title of Best Supporting Actor at the 2011 Olivier Awards. On television, he has been featured in Killing Eve, A Very English Scandal, Blunt Talk, Little Women, Professor Branestawm, Call the Midwife, Psychoville, Upstairs Downstairs, Gavin and Stacey, and Doctor Who. In film, Scarborough has appeared in hits such as Artemis Fowl, Christopher Robin, Les Miserables, The King's Speech, Lyrebird, The Madness of King George, and 2019's 1917, a Sam Mendes film about WWI. Most recently, he is in the process of filming as a regular character on Sandition for ITV.
About the Performer
Freya Mavor is one of the most exciting young talents in the industry and at the age of 25 has already been long listed for a César award for her work in France, named a Screen International Star of Tomorrow and been nominated for 2 Scottish BAFTAS. In the English Language her film credits include Sense of an Ending directed by Ritesh Batra, Sunshine on Leith directed by Dexter Fletcher and the forthcoming Trautmann directed by Marcus H.Rosenmuller. In French, Freya has shot the title role in La Dame Dans L'Auto Avec Des Lunettes Et Un Fusil by the award-winning director Joann Sfar, Cézanne et Moi directed by Danièle Thompson and the recent box-office hit L'Empereur de Paris opposite Vincent Cassel.
Her television credits include a leading role in the iconic series Skins, period dramas The White Queen for the BBC and New Worlds for Channel 4 and the HBO Alan Ball pilot Virtuoso. She was recently seen in The ABC Murders for the BBC and Amazon.
On stage Freya took the leading role in Good Canary, directed by John Malkovich.
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The mood is gloomy to fit a really disturbing story that also attracted my interest as a fan of 19th century horror. Throughout the story is underlined the struggle of the female protagonist in a man's world where she's either overlooked or threatened, often sexually. This combines well with the crime story which is related to violence against women. The theme of women's emancipation is well developed throughout the story, even if sometimes the constant and relentless abuse of women by men felt a bit over the top to me. It was very disturbing, which was probably the purpose, but same time I also felt that the picture it painted of the world was too negative and sometimes it got me questioning the likelihood of the turns of events.
[EDIT: Since this review, I have been reading and listening to the history about the culture in the era, and it turns out that English culture really was incredibly male chauvinistic at the time and women's position extremely poor, rather exactly what it is described to be in this story, so much so that the non-supernatural content in this story now appears to me rather plausible.]
This is basically a detective story that combines elements of fairy tale sort of fantasy horror and violent sex crime fiction. Not exactly my cup of tea. I'm not completely against the use of supernatural in fiction per se, e.g. I love Bram Stoker's Dracula, and Lovecraft's work. But here I was left with a feeling, from very early on, that more realistic choices could have been more to my taste in this story, maybe because of its strong detective story nature. I'm also not a big fan of this sex and violence crime fiction. However, these elements were not badly woven together if you like this stuff.
The drama was bit broken by protagonist being also occasionally the narrator. This means that time to time she was telling the story instead instead of living it. This could be backed up by her being the only living witness to the story, but not actually witnessing all parts of it. So far so good. However, I felt that this was slightly inconsistent, since parts of the story seemed to be acted without her presence or narration. So, in the end, maybe better narrative solutions could have been made.
The performance was really fine. My only complaint would be that early to the story I sometimes was not sure who were the characters in the scene and where it took place. In the whole this was not a problem.
spooky audio drama / sex & violence crime fiction
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eh.
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A Strong, independent woman who gets in the way
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Just not for me.
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this is a damn good story and deserves to be told
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